Dodson, Alan. "Visualizing the Rhythms of Performance." In The Cambridge Companion to Rhythm, ed. Russell Hartenberger and Ryan McClelland, 41-60. Cambridge: Cambridge University Press, 2020. [abstract]
Figures:
3.1 Timing in the opening of Chopin's Polonaise in A Major, op. 40, no. 1, performed by Harold Bauer (Seashore)
3.2 Graphs of human and computer-generated performance expression (Todd)
3.3 Average tempos in various recordings of the first movement of Tchaikovsky's Symphony No. 6 in B Minor, op. 74 (Bowen)
3.4 Generalized scape plot design (Sapp)
Multimedia examples:
3.1 Timing in the opening of Chopin's Polonaise in A Major, op. 40, no. 1, performed by Artur Rubinstein
3.2 Timing in the first movement of Tchaikovsky's Symphony No. 6 in B Minor, op. 74, performed by the Concertgebouw Orchestra conducted by Willem Mengelberg (Bowen)
3.3 Timing and high-level phrase arcs in the opening of Beethoven's "Moonlight" Sonata, op. 27, no. 2 (Chew)
3.4 Timing and grouping in an excerpt from Chopin's Mazurka in C Major, op. 24, no. 2 (Ohriner)
3.5 Durational contour in Chopin's Mazurka in C-sharp Minor, op. 63, no. 3, performed by Stanislav Bunin (Ohriner)
3.6 Group-final lengthening in six recordings of Chopin's Mazurka in C Major, op. 24, no. 2 (Ohriner)
3.7 Timing and notational meter in the opening of Chopin's Prelude in B Minor, op. 28, no. 4, performed by Martha Argerich (Senn et al.)
3.8 Timing and dynamics in Chopin's Etude in E Major, op. 10, no. 3, performed by Maurizio Pollini (Langner and Goebl)
3.9 Timing and dynamics in the opening of Chopin's Mazurka in C-sharp Minor, op. 63, no. 3 (Cook)
3.10 Timing and notational meter in the opening of Chopin's Mazurka in A minor, op. 17, no. 4
3.11 Animations for projection, as described in Hasty's Meter as Rhythm
3.12 Three types of metric change discussed in Hasty's Meter as Rhythm
3.13 Experiential meter in the opening of Chopin's Mazurka in A minor, op. 17, no. 4, performed by Ignacy Paderewski
3.14 Experiential meter in the opening of Chopin's Mazurka in A minor, op. 17, no. 4, performed by Guiomar Novaes
3.15 Experiential meter in an excerpt from Debussy's D'un cahier d'esquisses, performed by the composer