"'So Free as to Seem Improvised': Rhythmic Revisions and Kinetic Form in Debussy's Recording of D'un cahier d'esquisses."
Ex. 18 metric analysis of bars 40–45 (cadenza and surrounding measures) in Debussy's recording of D'un cahier d'esquisses
"'So Free as to Seem Improvised': Rhythmic Revisions and Kinetic Form in Debussy's Recording of D'un cahier d'esquisses."
Ex. 18 metric analysis of bars 40–45 (cadenza and surrounding measures) in Debussy's recording of D'un cahier d'esquisses