Peer-reviewed articles by Alan Dodson

1. “Performance and Hypermetric Transformation: An Extension of the Lerdahl-Jackendoff Theory.” Music Theory Online 8, no. 1 (February 2002). [abstract] [full text]

2. “Performance, Grouping, and Schenkerian Alternative Readings in Some Passages from Beethoven’s ‘Lebewohl’ Sonata, Op. 81a.” Music Analysis 27 (2008): 107–34. [abstract]

3. “Metrical Dissonance and Directed Motion in Paderewski’s Recordings of Chopin’s Mazurkas.” Journal of Music Theory 53 (2009): 57–94. [abstract]

4. “Expressive Asynchrony in a Recording of Chopin’s Prelude No. 6 in B Minor by Vladimir de Pachmann.” Music Theory Spectrum 33 (2011): 59–64. [abstract]

5. “Expressive Timing in Expanded Phrases: An Empirical Study on Recordings of Three Chopin Preludes.” Music Performance Research 4 (2011): 2–29. [abstract] [full text]

6. “Performance Strategies in Three Recordings of Bach’s Invention No. 1 in C Major: A Comparative Study.” Intersections: Canadian Journal of Music 31 (2011): 43–64. [abstract]

7. “Solutions to the ‘Great Nineteenth-Century Rhythm Problem’ in Horowitz’s Recording of the Theme from Schumann’s Kreisleriana, Op. 16, No. 2.” Music Theory Online 18, no. 1 (April 2012). [abstract] [full text]