Dodson, Alan. "'So Free as to Seem Improvised': Rhythmic Revisions and Kinetic Form in Debussy's Recording of D'un cahier d'esquisses." Forthcoming in Claude Debussys Aufnahmen eigener Klavierwerke, ed. Tihomir Popovic. Stuttgart: Steiner Verlag. [abstract] [full text (preprint)]
Musical examples:
Ex. 1 score of D'un cahier d'esquisses, bars 44–45
Ex. 2 proportional analysis of D'un cahier d'esquisses from Roy Howat, Debussy in Proportion
Ex. 3 durations in Debussy's recording of D'un cahier d'esquisses, bars 43–45
Ex. 5 D'un cahier d'esquisses, bars 51–53: (a) score, (b) durations in Debussy's recording
Ex. 6 proportional analysis of Debussy's recording of D'un cahier d'esquisses
Ex. 7 recording of D'un cahier d'esquisses by Fou Ts'ong, bars 45–46
Ex. 8 grouping in Debussy's recording of D'un cahier d'esquisses, coda (bars 45–53)
Ex. 9 score of D'un cahier d'esquisses, first episode (bars 11–28)
Ex. 10 tempo in Debussy's recording of D'un cahier d'esquisses, first episode (bars 11–28)
Ex. 11 basic concepts from Hasty, Meter as Rhythm: (a) projection, (b) complex projection
Ex. 14 score of D'un cahier d'esquisses, bars 1–10
Ex. 16 score of D'un cahier d'esquisses, bars 29–37